I am a New York resident who counts myself fortunate to receive AEQAI. Your latest issue is truly amazing in its scope, made even more remarkable when you consider that it is produced entirely gratis. Every artistic organization in America should study AEQAI at this time of massive declines in public support when paid staffs […]
Archive for September, 2011
Letter to the Editor- Kudos from New York
September 21st, 2011 | by A.C. Frabetti | published in Announcements
The Painter’s Table
September 17th, 2011 | by A.C. Frabetti | published in Announcements
The Painter’s Table, a blog which covers painting exhibitions nationally, has chosen four of AEQAI‘s columns in four months: Sheldon Tapley’s review of the Weston Gallery; Cole Carothers’ essay on Gerhard Richter; Alan Pocaro’s review of a painting show at the Phyllis Weston Gallery; and most recently, Kim Krause’s essay on Philip Guston in the […]
Philip Guston’s Recklessness
September 15th, 2011 | by Kim Krause | published in Digest, September 2011
“One morning, my wife, after the rain, pointed out a spider that was making a marvelous web, so I started doing a number of web pictures with my wife and myself, and a lot of paraphernalia caught in the web. . . . It’s a terrible corny idea, but what can you do? It led […]
Presages: Gordon Smith’s Kentucky Coal Country Photographs
September 15th, 2011 | by Karen Chambers | published in September 2011
Gordon Smith’s (b. 1952) black-and-white photographs of Kentucky’s coal mining country and its people are disturbing documents of hardscrabble life. His images tell the story of the miners and their families who endure the crushing poverty that forces them to destroy their very environment to survive. A part of the photographic tradition of social commentary, […]
PLASTIC HYPERBOLE: Rondle West at the Carnegie
September 15th, 2011 | by Keith Banner | published in September 2011
Rondle West’s Pop-Rococo universe is something to behold. He is a maximalist working with miniatures, creating visual flourishes and earth-bound chandeliers out of thrift-store cast-offs, knick-knacks, dolls, action-figures, and whatever else lands in his aesthetic ballroom/landfill. He does not seem to know when to stop and yet each of his sculptures feel perfectly edited and […]
Bridge to Asian Art – Dr. Hou-mei Sung
September 15th, 2011 | by Cynthia Osborne Hoskin | published in Profiles, September 2011
Dr. Sung has served as the curator of Asian art at the Cincinnati Art Museum since 2002. In her 2009 show, Roaring Tigers, Leaping Carp: Decoding the Symbolic Language of Chinese Animal Painting, Dr. Sung drew on ten years of research to present more than 100 paintings that illustrated the use of animal symbolism in […]
The Art of Daily Reflection
September 15th, 2011 | by Laura P. Yoo | published in September 2011
When I talk to people who don’t think they know very much about art, I say, “Just look. What do you see?” If someone can tell you what they physically see, and then stop to think about how it makes them feel—that’s really at the heart of any experience with art regardless of how much […]
Second Chat With the Editor – “Self Expression is a Form of Narcissism”
September 15th, 2011 | by Cynthia Osborne Hoskin | published in Profiles, September 2011
Daniel Brown, AEQAI editor, is a writer, internationally known art critic, collector and curator, a positive stickler for clarity and above all, the objectivity that comes from true literacy. This is objectivity that flies in the face of what he sees as the present American preoccupation with “self”. Brown feels that this is a big […]
Glass Ceiling? Guess Not
September 15th, 2011 | by Jane Durrell | published in *
The paintings that mark a gradual return to across-the-board contemporary art at Marta Hewett Gallery, where glass objects have held the floor, are themselves almost glass-like. Jason Zickler’s labor-intensive works with their dense layers of clear, cured resin and paint gleam in a celebration of colorfor its own sake but hold in their depths delineations […]
Island Reflections
September 15th, 2011 | by Maria Seda-Reeder | published in *, On View, September 2011
“We’re the reflections of our ancestors / we’d like to thank you for the building blocks you left us / ‘cause your spirit possessed us” – Talib Kweli, “Africa Dream” Emily Hanako Momohara’s current exhibition at PAC Gallery, “Islands,” consists of fifteen archival pigment prints on rich Somerset Velvet paper. The exhibition is a […]
New Gallery Opens with an Exhibition in Visualizing Ideologies
September 15th, 2011 | by A.C. Frabetti | published in *, On View, September 2011
Third Party Gallery opened its first exhibition with a group show (the curator isn’t listed, but I assume it was Wyatt Niehaus, one of the co-founders) called Reductio ad Absurdum. According to the press release, the curator claims that its artists have “composed a dialogue between their work and a preexisting ideology, convention or concept […]
Art: A Conversation of Souls
September 15th, 2011 | by Kenn Day | published in Features, September 2011
Art, at its best, is an asynchronous dialogue between the soul of the artist and the soul of the viewer. It is a conversation of the soul, because what moves the artist to create and the viewer to respond comes from a deeper level than the mind. No amount of technical expertise can move the […]
Still[ed] Life: Katie Parker and Guy Michael Davis
September 15th, 2011 | by Karen Chambers | published in *
![Still[ed] Life: Katie Parker and Guy Michael Davis](http://aeqai.com/main/wp-content/uploads/2011/09/4-PARKER-Bust-Sevres-150x150.jpg)
Imitation may be the sincerest form of flattery, but it can also be a sincere source of creativity. That tenet is confirmed by “Still[ed] Life: Katie Parker and Guy Michael Davis” at the Taft Museum of Art. In collaboration these two area artists (Parker is an assistant professor at the University of Cincinnati’s College of […]
Take It Off
September 15th, 2011 | by Fran Watson | published in *, On View, September 2011
Manifest Gallery’s “3rd Annual NUDE” international competition showing through September 9, offers more than the vast undulating landscape of skin to be considered. The subjects have been folded, stretched, posed and exposed in every manner from hypnotic fragility, as in Bain Butcher’s “Untitled” graphite rendering of a young woman, to the Diebenkorn-ish palette knife interiors […]
International Artists Exchanges, a la mode “Sister Cities”
September 15th, 2011 | by Jan Brown Checco | published in Features, September 2011
It’s satisfying to identify the first seeds of what we become, and to what we commit. The mentor who sowed my life into a fertile ground of art and travel is clear: Uncle Bob gave me my first art history book in 1962 upon return from one of his many international adventures. A Renaissance man, […]
Pointedly Perfect
September 15th, 2011 | by Fran Watson | published in Announcements, September 2011
“The Art of Charlie and Edie Harper in Needlepoint Exhibit” is exactly that. Charming and humorous, exquisitely designed and perfectly executed, each of these renditions of the famous Harper pieces in the clockwork precision of needlepoint seems just what the two artists would have anticipated as a future for their works. The late Harpers’ prints […]
Sara Corley: Film Interview
September 15th, 2011 | by Shawn Daniell | published in Multimedia, September 2011
