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Erotics of the Anthropocene: Margaret Smithers-Crump’s “Breaking Point”

A taut crimson thread inscribes a tension between two forms, not so much seen as felt. It wraps around a smooth basalt stone on the gallery’s floor, extending some feet up to a suspended form, a spectral lattice, like a 3D-printed tumbleweed, defined less by its appearance than its lightness and upward gesture — like […]