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“Ma and What Now My Friend?” at Aicon Gallery, NYC

Mequitta Ahuja first gained serious traction in the art world for her self-portraits, a deceivingly straightforward genre whose many contradictions she skillfully exposed. Where most male artists immortalized themselves however they pleased – Rembrandt loved to dress up, and Albrecht Dürer assumed a pose which, in his time, was thought fit only for Christ himself […]

Read | Comments Off on “Ma and What Now My Friend?” at Aicon Gallery, NYC | Tags: December 2020

Pedro Pedro and KATSU at The Hole in New York City

Over the past few weeks small galleries have opened while major museums remain closed. This is a blessing as well as a curse for the artists who get to exhibit their work again. On the one hand, they are sure to receive undivided attention from buyers and admirers eager to see what they came up […]

Read | Comments Off on Pedro Pedro and KATSU at The Hole in New York City | Tags: Summer 2020

Near My Parents’ House: Kara Walker and the Scourge of History

Near my parents’ house in western Georgia is a mountain made of stone. Aptly called Stone Mountain, this site features various hiking trails which the citizens of Atlanta use to escape the hustle-and-bustle of their city. At its peak, persistent climbers are rewarded with a view of untouched treetops stretching on as far as the […]

Read | Comments Off on Near My Parents’ House: Kara Walker and the Scourge of History | Tags: June 2020

The Political Satire Hidden Inside the Royal Portraits of Francisco Goya

Francisco Goya’s The Third of May 1808 (fig. A) depicts the gruesome aftermath of a Madrilenian uprising against the Grande Armée who, under the leadership of Napoleon Bonaparte, had invaded their country two months prior. Words like “raw” and “visceral” often surface in discussions of this painting, and it’s easy to see why, for it […]

Read | Comments Off on The Political Satire Hidden Inside the Royal Portraits of Francisco Goya | Tags: June 2020