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“Vessel” at Hudson Yards: A Capitalist Christening and Architectural Narcissism

In 1996, Tom Otterness installed a bronze sculptural grouping of anthropomorphized houses and coins off the banks of Roosevelt Island in the East River titled The Marriage of Real Estate and Money (Figure 1). The figures are executed in a playful manner while offering a trenchant critique of the troubling relationship that continues to exist […]


Review: The Armory Show 2019

This year’s iteration of The Armory Show marked its 25th anniversary, placing a considerable amount of pressure on Director Nicole Berry to execute the event at the level stakeholders in the art world have come to expect. First launched in 1994 at the Gramercy Park Hotel, The Gramercy International Art Fair has morphed into New […]

Read | Comments Off on Review: The Armory Show 2019 | Tags: * · March 2019

Artistic Detritus, the Circulation of Power, and Intervening in the Historic Record at The 8th Floor

“…[power is] a multiple and mobile field of force relations where far-reaching, but never completely stable effects of domination are produced.”[1] –Michel Foucault, The History of Sexuality Sedimentations: Assemblage as Social Repair is the most recent exhibition at The 8th Floor, an alternative art space affiliated with the Rubin Foundation and dedicated to expanding artistic […]

Read | Comments Off on Artistic Detritus, the Circulation of Power, and Intervening in the Historic Record at The 8th Floor | Tags: * · September 2018

An Interrogation of Abstract Markings: Hans Hartung’s Recent Survey at Perrotin, New York

Perrotin’s opening exhibition in New York for 2018, Hans Hartung: A Constant Storm. Works from 1922 to 1989, featured a retrospective assessment of one of the pioneers of Lyrical Abstraction in Europe, including over 60 major works. This exhibition—which was on view from January 12 until February 18—marked the most extensive presentation of the artist’s […]

Read | Comments Off on An Interrogation of Abstract Markings: Hans Hartung’s Recent Survey at Perrotin, New York | Tags: * · March 2018

The Artist as Cultural Producer, a Defense of New Media, and Re-Shaping Public Attitudes about Contemporary Art

On September 12, 1940 four French boys stumbled into a complex network of caves in southwestern France. Their discovery of innumerable Paleolithic cave paintings dating to 17-15,000 BCE (Figure 1) soon led to excavations of the Lascaux cave system and in turn significantly altered scholars’ conceptions of human development.1 As evidenced by the wall paintings […]


Exhibition Review: “Dress Up, Speak Up: Costume and Confrontation”

The headless Food Faerie–a small, winged mannequin dressed in bright batik fabric carrying a satchel of artificial mangoes and poised to take flight–greets visitors to the exhibition Dress Up, Speak Up: Costume and Confrontation at 21c Museum Hotel in Lexington, Kentucky. The inaugural exhibition coincided with the opening of the museum-hotel on February 29, 2016, […]

Read | Comments Off on Exhibition Review: “Dress Up, Speak Up: Costume and Confrontation” | Tags: * · Summer 2016