© The Grand Tour: They Were High In the Alps When Adele Took the Opportunity To Bolt mixed-media collage by Sara Pearce antique Charles Dana Gibson illustration (The Gibson Book, Vol. 2, Scribner's Sons, 1906) and map; recycled book page proof, Italian wrapping paper, travel guide and sewing pattern; colored pencil; watercolor; marker; ink. 7.5" x 9.5" on archival mat board (2012)
A quick first take on Sara Pearce’s Expecting to Fly at 5th Street Gallery downtown shows her a words person as well as a visual artist. And no wonder; words were her trade during her Cincinnati Enquirer years, when she reported on restaurants, books, sometimes visual arts, and was a features editor. What collages require, however, is a good eye; Pearce has it. If word play is essential in the way she shapes her work, it should be said that her words are sharp, funny and slyly pointed.
That quick first take can be satisfactorily followed by closer looks. There are curious, telling bits tucked into these compositions and it is fun to search them out. The exhibition presents three groups of work: “A Grand Tour,” “Out on a Limb” and “Mad Women,” each with its own look.
“A Grand Tour” pays homage in seven panels to those young American women who in the 19th century descended on Europe in the company of their parents with large dreams and the sort of anticipation the signature collage for the show suggests in its title and its depiction: “Expecting to Fly.”
Pearce likes a long title, however: note “They Were High In the Alps When Adele Took the Opportunity to Bolt.” Adele has bolted over a chasm; one wonders what else she was high on? Godey’s Ladies Book is mentioned as one of Pearce’s sources; those ladies must be among those we see Grand Touring.
“Out on a Limb” is bird life, in and out of the cage, on five inch square, inch thick blocks, while the third series presents life of a different kind: “Mad Women.” McCall’s Pattern Books come into play here, and the titles suggest what’s going on: “The Gloves Were Off” and “I Did It My Way” are among them. The latter shows a young woman decked out in the small waisted, large skirted New Look, her motorcycle at her side.
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- © The Grand Tour: The Davenport Sisters Were Perfectly Capable of Putting Themselves On A Pedestal mixed-media collage by Sara Pearce antique, hand-painted fashion plate (Godey’s Lady’s Book); vintage U.S. Geological Survey map (Mt. Evans Quadrangle, Colo., 1957) and illustration (Harter’s Picture Archive, Dover, 1978); recycled note card & book page proof; watercolor; pearlescent watercolor; colored pencil; marker; ink. 8″ x 11.5″ on archival mat board (2012)
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- © The Grand Tour: They Were High In the Alps When Adele Took the Opportunity To Bolt mixed-media collage by Sara Pearce antique Charles Dana Gibson illustration (The Gibson Book, Vol. 2, Scribner’s Sons, 1906) and map; recycled book page proof, Italian wrapping paper, travel guide and sewing pattern; colored pencil; watercolor; marker; ink. 7.5″ x 9.5″ on archival mat board (2012)
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- © Out On A Limb: 23 mixed-media collage by Sara Pearce antique “American Singer” songbird series trade card (Singer Manufacturing Co., 1898), book spine lining; vintage Audubon coloring book illustration (circa 1930s); recycled glass catalog and greeting card; ink; acrylic sealer; acrylic varnish. 6″ x 6″ on birch panel (2012)
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- © Mad Women: The Gloves Were Off, mixed-media collage by Sara Pearce, vintage illustrations (McCall’s Pattern Book, March 1946; Butterick Pattern Book, Fall 1953; Picture Sourcebook, Dover, 1974), vintage Deutsche Bank calendar (1958), recycled ads and flash card, ink. 5.75″ x 9.25″ on archival mat board. (2012)
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- © Mad Women: Jean Drops Out and Joins a Cult, mixed-media collage by Sara Pearce, vintage illustrations (Esquire Magazine, Dec. 1939; McCall’s Pattern Book, spring 1946); recycled Turner Classic Movies trading card (“Casablanca”) and Monet exhibition art catalog illustration; ink. 7.5″ x 9.5″ on archival mat board (2012)
Pearce draws on her own library of antique world maps, fashion magazines and more and is knowing about vintage papers. Expecting to Fly can be seen at 5th Street Gallery, 55 West Fifth Street, through April 7. Pearce will be at the gallery to discuss her work, 2 to 6 p.m. Saturday, March 31.
