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FIRST JUDGMENT

Exhibition by Fukui formative abstract artist Tatsuya Tatsuta at National Art Center Tokyo. New Artist Unit, February 4-19, 2018.   “You can’t go neither forwards nor backwards into your daddy’s time,” preached Hazel Motes upon his rat-colored Essex, “nor your children’s if you have them. In yourself right now is all the place you’ve got.” […]

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The Great Ecstasy of ‘Koukotsu Moji”

The knowledge imposes a pattern, and falsifies, For the pattern is new in every moment And every moment is a new and shocking Valuation of all we have been.                                                             —TS Eliot, (East Coker) There is a strange universe. It contains everything imaginable between the limits of stone and sun—the extremities of all that has […]

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THE CASTLE OF DEBRIS —Tatsuya Tatsuta’s formative abstract representation of Lacanian desire

“There are only 2 tragedies in life: not getting what one desires, and getting it.” —Oscar Wilde The Castle of Debris is situated first from the entrance to the large exhibition hall in Tokyo’s National Art Centre. Piled on the floor are the ‘monad’ pieces of heat-transformed polystyrene, burned and melted from identical and flat […]

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Re-Monad: ‘My approach to re-interpretation.’ The work of Fukui formative abstract artist Tatsuya Tatsuta

His art is created in a compact 2–building atelier with a circular yard fringed by manicured black pines. The yard’s entrance faces southwest at the foot of Fukui’s Mt. Hachiman, one of three mountains clustered just south of the Asuwa River, and from which the renowned blue shakudani stone has been mined for 1,500 years. […]

Read | Comments Off on Re-Monad: ‘My approach to re-interpretation.’ The work of Fukui formative abstract artist Tatsuya Tatsuta | Tags: Early Fall 2016