January 25th, 2014 | by Matthew Metzger | published in *, January 2014, On View
by Matthew Metzger Ron Thomas’ Take if from Me and Kim Krause’s The Eleusinian Mysteries ran concurrently at The Carnegie and Marta Hewett Gallery, offering a nice opportunity for a symposium (at least in writing) of two very different types of abstraction. I provide a bit more coverage for Thomas’ work simply because, to my […]
January 25th, 2014 | by Shawn Daniell | published in *, January 2014, On View
by Shawn Daniell When I was in art school at The College of Brockport in Brockport, New York, ten years gone by now, I often wondered what kind of artwork my art professors were creating in their own studios, or if they were even creating at all. Students put a lot of money and trust […]
January 25th, 2014 | by Daniel Brown | published in *, Features, January 2014
by Daniel Brown Aaron Betsky’s imminent departure as Director of The Cincinnati Art Museum brings up questions, in my mind, that have less to do with the pros and cons of his directorship, than of the methods by which directors are hired here in the first place. I believe that the processes have been flawed […]
January 25th, 2014 | by Keith Banner | published in *, January 2014, On View
by Keith Banner Diane Landry’s “by every wind that blows” at the Contemporary Arts Center downtown (up through March 2, 2014) is revelatory and mundane at the same time, a beautiful mix of thought and action that shimmers in your mind a long time after witnessing it. Landry uses banal objects like empty water-bottles, plastic […]
January 25th, 2014 | by Marlene Steele | published in *, January 2014, Profiles
by Marlene Steele Suited man steps onto a roadway in a low level lilliputian landscape. A nubile intrigante strides openly along a residence-obscuring hedge. Nude male, barefoot in the waning light, apprehensively considers a dismal deserted industrial plant. Leaps of faith and expressions of ecstasy, escapes and admonitions, reactions to the unseen and the unforeseeable, […]
January 25th, 2014 | by Kevin Ott | published in *, January 2014, On View
by Kevin Ott Although this is not a proper “show” of Selden’s work, there are 5 paintings displayed at the Eisele Gallery, more than one can usually find in one location by this respected Cincinnati artist and favorite student of Frank Duvenek. First the gallery: Eisele Gallery specializes in 19th and 20th Century paintings (and […]
January 25th, 2014 | by Fran Watson | published in *, January 2014, On View
by Fran Watson “The Tree of Life”, Cincinnati Art Museum, November 29, 2013 – January 1, 2014 In a straight line from the main entrance of the Cincinnati Art Museum, past the sequestered “Icons” spotlighted in black caves, through the spacious hallway, footsteps echoing loudly, stood the very dead “Tree of Life”; its roots unlaced […]
January 25th, 2014 | by Saad Ghosn | published in *, January 2014, Profiles
by Saad Ghosn I. Images For A Better World: Paige WIDEMAN, Visual Artist Paige Wideman, born in Indianapolis, Indiana, grew up in Cincinnati, Ohio. She has a BFA degree in sculpture from the Kansas City Art Institute (1989), and an MFA degree, also in sculpture, from the University of Cincinnati (1999). Wideman took 10 years […]
January 25th, 2014 | by Dustin Pike | published in *, Features, January 2014
by Dustin Pike “The phenomenon of UFOs does exist, and it must be treated seriously.” –Mikhail Gorbachev There is an old parable devised by Plato in his Republic wherein the pre-enlightened man and woman are taught the ways of the world only through the play of shadows projected onto the walls of a cave. After […]
January 25th, 2014 | by Danelle Cheney | published in *, Features, January 2014
by Danelle Cheney Graphic designers are taught to confront and reconcile the relationship between form and content. Is one more important than the other, or equally so? Does personal expression, emotion, and humanity have a place in design, or should designers focus on legibility, clarity, and unity of content? The first Bauhaus manifesto states: “Together, […]
January 25th, 2014 | by Daniel Brown | published in *, January 2014
by Daniel Brown Edward de Waal’s award winning memoir The Hare with Amber Eyes, published about three years ago, traces the ownership of a large group of Japanese netsukes from its original owner, the author’s great-great uncle, to the author himself. De Waal uses the history of these objects to explore and discover his own […]
January 25th, 2014 | by Maxwell Redder | published in *, Features, January 2014
by Maxwell Redder Thirteen Ways of Looking at a Crumpled Paper –Inspired by Wallace Stevens: Thirteen Ways of Looking at a Blackbird I. Crumpled and torn the paper’s fluidity, like a loincloth draped against breasts, stiffened, becoming jagged, rigid, recyclable. II. Performing gymnastics, a piece of plain white dropped from a vibrantly checkered hot-air balloon […]
