April 14th, 2012 | by Cynthia Kukla | published in April 2012, Features
Our Debt to the West Coast: Pacific Standard Time: 1945-1980 “An unprecedented collaboration of more than 60 cultural institutions across Southern California coming together to celebrate the birth of the L.A. art scene.”1 Visiting L.A. is like a review of your whole life. Driving around greater L.A. in traffic much less crazy than my hometown [...]
April 14th, 2012 | by Kevin T. Kelly | published in April 2012, Features
Ten years ago when I was teaching Intro to Painting at the Art Academy of Cincinnati, I was cutting through the galleries on the second floor of the Art Museum when “The Unwelcome Guests” by Henry Farny suddenly caught my eye for the first time. There was a luminosity in that yellow sky that jumped [...]
April 14th, 2012 | by Dustin Pike | published in April 2012, Features
“You cannot conceive the many without the one.” -Plato Since this is my first article pertaining to the design field, it may aide the reader to know how to distinguish art from design. Design in essence cannot be accomplished without specific degrees of control, and almost always has a definitive point to make. How [...]
April 14th, 2012 | by Daniel Brown | published in April 2012, Features
André Aciman was born into an upper middle class-to-rich Jewish family in Alexandria, Egypt. He has described the nearly Chekovian life that his extended family lived in the waning days of a tolerant and multicultural Egypt. As anti-Semitism rose in Egypt, a manipulative political movement meant to target “outsiders” and “foreigners”, various members of the [...]
April 14th, 2012 | by Aaron Michael Skolnick | published in April 2012, Features
New Baroque is a blog featuring young artists from Kentucky, Los Angeles, and New York. It came about when I noticed that a group of artists working in the New Baroque style were not getting the attention that I thought they deserved. The art of the Baroque was stylistically complex with a tendency to exaggerate [...]
March 18th, 2012 | by Dustin Pike | published in Features, March 2012
This article marks the first of many articles to come in reference to the field of design. These articles will attempt to analyze and interpret the meanings of a vast number of subjects surrounding the design field, and enlighten the reader of their importance. However, before I get into my first subject on design I [...]
March 18th, 2012 | by Cynthia Osborne Hoskin | published in Features, March 2012
I would like to express my thanks to my husband, Richard Hoskin, who took time off from writing his novel, as I lay feverish from the flu at home, to meet with James Priest and ask questions I had prepared and some of his own. The Gardens at Giverny, home of Claude Monet from 1883 [...]
February 18th, 2012 | by Jane Durrell | published in *, Features, February 2012
In London, on the day I went to both exhibitions, it seemed that everyone who wasn’t at the National Gallery’s stunning Leonardo da Vinci: Painter at the Court of Milan had come to the Royal Academy for David Hockney’s knock-your-eye-out responses to the English landscape. Each show was at controlled maximum attendance but the crowds [...]
January 23rd, 2012 | by Brett Baker | published in *, Features, January 2012
This is the second in a series of a quarterly letters, which will cover painting shows in greater New York. “From the top of the arched opening – as it gradually widens – pours forth a sparkling flow of jewels, a pattering rain of diamonds, and, directly following, a tumble of gems of every color, [...]
January 23rd, 2012 | by Daniel Brown | published in Features, January 2012
The year 2011 in new fiction began as bleakly as any in recent memory. By the end of summer, only two or three novels seemed even to be somewhat good – and we need to watch literary/politically correct trends, to make certain we’re not simply reading what’s been declared good for us/for the victimized but [...]
December 15th, 2011 | by Emil Robinson | published in December 2011, Features, On View
As an artist ages, he or she becomes increasingly sensitive to the world and more uncertain of how to proceed. As the artist grows wiser, he or she must make the decision to continue groping for the elusive threads of memory and the constant uncertainty of personal experience. It is important for the work that [...]
November 15th, 2011 | by Mark Harris | published in *, Features, November 2011
daydreaming of success of enhancing culture, of collaboration bringing this city up with all of our brilliance bringing this city to life with all of our passion filling this city up with our art, with our sounds with our faces and ideas … Excerpted from “Rubble of The Mind” by Jim Swill, Caustic Nostalgia: selected [...]
October 15th, 2011 | by Brett Baker | published in *, Features, October 2011
This is the first in a series of a quarterly letters, which will cover painting shows in greater New York If you want to experience the New York art scene from afar, watch James Kalm’s videos. Kalm tirelessly travels the city documenting art openings and exhibitions from Manhattan to Brooklyn. His videos are a selective, [...]
September 15th, 2011 | by Kenn Day | published in Features, September 2011
Art, at its best, is an asynchronous dialogue between the soul of the artist and the soul of the viewer. It is a conversation of the soul, because what moves the artist to create and the viewer to respond comes from a deeper level than the mind. No amount of technical expertise can move the [...]
September 15th, 2011 | by Jan Brown Checco | published in Features, September 2011
It’s satisfying to identify the first seeds of what we become, and to what we commit. The mentor who sowed my life into a fertile ground of art and travel is clear: Uncle Bob gave me my first art history book in 1962 upon return from one of his many international adventures. A Renaissance man, [...]
July 30th, 2011 | by David Kirley | published in Features, Multimedia, Summer 2011
