November 24th, 2019 | by Christopher Carter | published in *, November 2019
In Birgit Jensen’s Flugblätter (Flying Letters), nothing settles comfortably into place. The purportedly autonomous artist ruptures into the collective. The collective expands and contracts like a breathing organism, dismissing its own consistency with Whitmanesque abandon. The radically distributed artist takes transformation as its topic, working paradoxically to make temporal processes concrete, all while inhabiting the […]
November 24th, 2019 | by Karen Chambers | published in *, November 2019
“Look at how a single candle can both defy and define the darkness.” A single sentence from Anne Frank encapsulates Manifest Gallery’s “DARK: Shadows, Nightscapes, and Darkness” exhibition. From a pool of’ 359 works by 103 artists representing five countries, 30 states, and the District of Columbia, the blind jury selected 17 pieces by 15 […]
November 24th, 2019 | by Marlene Steele | published in *, November 2019
Leave your comfort zone and imagine trekking into the wilds of Wyoming with artists Chuck Marshall and Robert Hagberg. Descriptive plein air paintings, several of them executed in the wilds, are contemporary interpretations of Wyoming wilderness currently exhibited at Eisele Gallery. The concept that inspired the “Into the Wilderness” experience of Hagberg and Marshall, was […]
November 24th, 2019 | by Jonathan Kamholtz | published in *, November 2019
This is a big show with a big story to tell, one that both celebrates and critically examines what it means to be Hispanic. The show focuses on, but is not limited to, European Spain, which it follows through many of its incarnations: an ancient civilization, a Roman outpost, a Christian outpost, a center of […]
November 24th, 2019 | by Steve Kemple | published in *, November 2019
“Yes, I understand these,” I might have said to myself on my first encounter with Paul Mpagi Sepuya’s photographs at Houston’s Blaffer Art Museum. In the Los Angeles photographer’s first major museum survey, arriving from the Contemporary Art Museum in St. Louis, fragments of figures bend and tangle against cool walls and in dark rooms. […]
October 26th, 2019 | by Jonathan Kamholtz | published in *, October 2019
I grew up in New York, and so the Hudson River was the river of my childhood. As a child, I thought of it starting in New York City rather than ending there, and then it went, straight and broad, some 300 miles north into the mysterious territory those from the city called “upstate.” It […]
October 26th, 2019 | by Christopher Carter | published in *, October 2019
More than thirty years after Cincinnati’s Contemporary Arts Center staged a mid-career celebration of Robert Colescott, the arts center has assembled the first survey of his life’s work. Art and Race Matters features 85 pieces produced over more than five decades, taking the viewer from his early studies at Berkeley to his sojourn at the […]
October 26th, 2019 | by Cynthia Kukla | published in *, October 2019
In this the one-hundredth anniversary of the Women’s Suffragette Movement, the Cincinnati Art Museum joins numerous museums across America to focus on and celebrate women’s equality. But the Cincinnati contribution is oh-so-different. The curator, Ainsley M. Cameron, Curator of South Asian Art, Islamic Art & Antiquities at the Cincinnati Art Museum explained that all eight […]
October 26th, 2019 | by Susan Byrnes | published in *, October 2019
In the exhibition “Dress Up, Speak Up: Regalia & Resistance”, 21C Chief Curator Alice Gray Stites assembles an impressive group of international artists whose work subverts, reinterprets, and reframes representations of cultural power, communal dignity, and personal agency through costume and its context. While regalia is a familiar term, indicating a formal outfit or ornament […]
October 26th, 2019 | by Karen Chambers | published in *, October 2019
“They (Herman and Bessie Wessel) believed that recording the infinitely varied pageantry of the visible world with paint was an exceedingly and challenging pursuit; one that dwelled not on the ebb and flow of any fashionable modernist creed, but rather on the simple and timeless of joy of living.” 1 That is the beginning of […]
September 28th, 2019 | by Ekin Erkan | published in *, September 2019
In my home country, Turkey, the amorphous term “terrorist” has adopted folk-lore speculative projections: from a baklava magnate to journalist dissenters and high school teachers, from professors to artists, the unpredictability of being labeled a “terrorist” blankets all such dissenters who dare problematize the ruling AK Party/President Erdoğan. One such case is that of Oktay […]
September 28th, 2019 | by Ena Nearon | published in *, September 2019
Intersectionality, a deconstructionist critical theory that attempts to identify how different aspects of political and social discrimination overlap and impact marginalized members of our society, is a term that was coined by black feminist scholar, Kimberle’ Williams Crenshaw in 1989. It includes various forms of social stratification, such as class, race, sexual orientation, age, religion, […]
September 28th, 2019 | by Christopher Carter | published in *, September 2019
The Art of the Automaton at Caza Sikes Gallery in Oakley boasts an array of interactive machines designed by seven artists from across the United States. They have honed their craft as builders since childhood, traveling to such places as Bali, Tanzania, Nigeria, Senegal, and Peru to develop their technique. Works by Dewey Blocksma, Randall […]
September 28th, 2019 | by Jonathan Kamholtz | published in *, September 2019
Some art work we are likely to do alone, as little outside assistance is required: street photography, for example, or sketching wildflowers in the woods, or singing in the shower. Other types require support systems of various sorts: a string quartet or bronze casting. Artists frequently pool their resources to draw nude models, though they […]
September 28th, 2019 | by Josh Beckelhimer | published in *, September 2019
Through October 10-13, the city will roll out the massive, citywide light-based art spectacle BLINK for the second time after a successful first go around in 2017. The outdoor festival, however, isn’t the only attraction that people should gravitate toward to view interesting light-based work. It’s perhaps appropriate that the smaller exhibition, “Emanate,” is featured […]
August 24th, 2019 | by Karen Chambers | published in *, Summer 2019
As I whipped through “Kimono: Refashioning Contemporary Style” 1 at the Cincinnati Art Museum, several things struck me. First was the aptness of it title, which quite succinctly sums up its basic thesis that the kimono has inspired Western clothing design through its form and surface decoration beginning in the 1870s and continuing to the present. The […]
August 24th, 2019 | by C. Miles Turner | published in *, Summer 2019
Britni Bicknaver has had a very busy year. The Cincinnati native has exhibited new works in group shows at the Weston Art Gallery (Cincinnati, OH) and The Carnegie (Covington, KY) through the spring and summer of 2019, before opening her solo show Cinema of Memory at Reverb Art + Design (Cincinnati, OH) on August 7. […]
August 24th, 2019 | by Hannah Leow | published in *, Summer 2019
Nestled in the niche neighborhood of Northside, Visionaries + Voices (V+V) is home to Kevin White, a contemporary and founding artist of the ability-forward hub. A solo-show of his work to date, Kevin White Retrospective catalogs the oeuvre of the prolific and present-day artist. Installations, paintings, and live-art comprise the show, as well as photographs […]
August 24th, 2019 | by Josh Beckelhimer | published in *, Summer 2019
Weightless by Christy Lee Rogers Through September 7 The Miller Gallery 2715 Erie Ave Cincinnati, OH 45208 “What lifts you up?” asks the prompt for Christy Lee Rogers photography exhibit Weightless, which appears at Cincinnati’s Miller Gallery. It’s a question that met my curiosity with an initial skepticism, as it’s a question that could’ve have […]
August 24th, 2019 | by Marlene Steele | published in *, Summer 2019
The moon, Earth’s singular satellite, has fascinated the earthbound human mind for thousands of years. The 50th anniversary of the successful 240,000 mile journey of American astronauts to the moon occurred in mid-July, 2019. Especially noted for the first steps on the lunar surface are native Ohioans Neil Armstrong and Buzz Aldrin. Their historic journey […]
June 30th, 2019 | by Christopher Carter | published in *, June/July 2019
Creatures: When Species Meet locates creative processes less in the imagination of singular artists than in the encounter between living things, their negotiation of each other’s habits and desires through media both traditional and emergent. As the show catalogs those processes, it disrupts humanist views of nonhuman animals, defending against their reduction to symbols within […]
June 30th, 2019 | by Jonathan Kamholtz | published in *, June/July 2019
“Magnitude Seven” is neither the oldest nor the smallest show of small things in town, a distinction that probably goes to the Art Academy’s “Minumental” show every fall, which has run for over thirty years, and requires that each work be no larger than two inches in any direction. Jason Franz, Founding Executive Director and […]
June 30th, 2019 | by Karen Chambers | published in *, June/July 2019
Sometimes it takes time for the aesthetic worth of something to be recognized. This most definitely was not the case with French advertising handbills AKA posters from its Golden Age, from 1880 to the late 1890s. They immediately attracted a passionate bunch of collectors, earning them the sobriquet affichomaniaques–poster maniacs. “L’ Affichomania: The Passion for French […]
June 30th, 2019 | by Ekin Erkan | published in *, June/July 2019
The Guggenheim’s spring retrospective of the seminal Swedish painter, Hilma Af Klint, has, naturally, evoked a multitude of art critics and visual culture scholars who laud her radical abstraction which, at the beginning of the 20th century, preceded Kandinsky, Malevich, Mondrian. Yet, where much attention has been given to the symbology and motifs riddling Klint’s […]
June 30th, 2019 | by Cynthia Kukla | published in *, June/July 2019
“Egypt: The Time of the Pharaohs” Cincinnati Museum Center, 1301 Western Avenue Cincinnati, OH Through August 18, 2019 Step into a time when civilization grew along the Nile, pyramids dotted the skyline and people believed gods walked among us…… From the mythic Nile to the mighty Ohio, “Egypt: The Time of Pharaohs” made its U.S. […]
June 1st, 2019 | by Christopher Carter | published in *, May 2019
Stewart Goldman taught at the Art Academy of Cincinnati for over thirty years. An enduring presence in the Ohio art world, he has curated shows on printmaking and the visual aesthetics of opera, lectured on the long-term influence of the Renaissance, and headed up the Cincinnati Sculpture Council. He has frequently exhibited his work in […]
June 1st, 2019 | by Cynthia Kukla | published in *, May 2019
Part One opened April 26; Part Two opens June 7 and continues through September 2. Tuesday–Sunday, 11 a.m.–5 p.m. Thursdays, 11 a.m.–8 p.m. “No Spectators: The Art of Burning Man” took over the Cincinnati Art Museum starting April 26 and it will continue until September 2, 2019. According to Marian Goodell the ultimate goal of […]
June 1st, 2019 | by Jonathan Kamholtz | published in *, May 2019
Well, despite what the show’s title might suggest, it’s not a blockbuster Rembrandt show. As the exhibition catalogue delicately notes, “we cannot be sure Rembrandt ever visited Dordrecht,” one of the oldest cities in all of the Netherlands and the fifth largest in its province after Rotterdam, The Hague, and Leiden. The show definitely will […]
June 1st, 2019 | by Marlene Steele | published in *, May 2019
An interesting exhibit of the curated work of a number of artists is a good reason to drop into Holly Spraul’s Wash Park Art gallery this summer. Nicole Trimble is continuing her series on women (how can one forget “Judy Slays”, Trimble’s update on the biblical story of Judith and Holofernes). Trimble’s piece in this […]
June 1st, 2019 | by Jane Durrell | published in *, May 2019
“I do enjoy showing my work,” Nancy Nordloh Neville told me. “It’s my life on review. You remember how and where you were when you painted it. You remember if the rain came before you were finished, if you made friends with the neighbors’ dog, or if you forgot an important supply.” A plein air […]
April 30th, 2019 | by Annie Dell'Aria | published in *, April 2019
A shallow stage, dramatic floor to ceiling curtain of silver mylar, pink lights, and disco ball have recently transformed the ground floor of Weston Art Gallery. Alluding to the settings of over-the-top performances of artifice, this open space literally sets the stage for Rachel Rampleman’s labyrinthine exploration of drag subcultures, body builders, make-up artists, and […]
April 30th, 2019 | by Christopher Carter | published in *, April 2019
Visual artist Diana Duncan Holmes and poet Timothy Riordan sustained a creative partnership across three decades, reaching from the late twentieth into the early twenty-first century. In his many years of service to Xavier University, and hers to Northern Kentucky University, they produced a range of multimedia artifacts that disclose the poetry of images, the […]
April 30th, 2019 | by Susan Byrnes | published in *, April 2019
“In a culture where derangement and disequilibrium are the constant and inescapable climate of a politics of bewilderment, the militant tactic is not intoxication and excess but to come to our senses and learn to live in the space they open up” –Thomas A. Clark, from “Imagination” I return again and again to this line […]
April 30th, 2019 | by Jonathan Kamholtz | published in *, April 2019
Whatever you think of the outcome, the Dayton Art Institute’s exhibit of 100 paintings from the collection of the National Academy of Design has been curated multiple times and by multiple standards. Since its founding in 1826, current members of the National Academy (NA) have chosen the artists who will admitted each year to add […]
April 30th, 2019 | by Marlene Steele | published in *, April 2019
The best public park views in the world are the subject matter of the best painters in the current exhibit at Eisele Gallery, Cincinnati. Mountain tops and serene valleys, rushing waves, hot springs and thermal pools are moulded into aesthetic statements by the nationally noted artists in a variety of media: oil, acrylic, pastel and […]
March 31st, 2019 | by Jonathan Kamholtz | published in *, March 2019
The visual richness of Paris during the Belle Epoque would have followed people wherever they went, even out of doors. Posters must have been everywhere, depicting products for sale and announcing events and attractions both large and small on lithographed newsprint affixed to walls, fences, and kiosks specially designed for the purpose. The marketing of […]
March 31st, 2019 | by Tony Huffman | published in *, March 2019
This year’s iteration of The Armory Show marked its 25th anniversary, placing a considerable amount of pressure on Director Nicole Berry to execute the event at the level stakeholders in the art world have come to expect. First launched in 1994 at the Gramercy Park Hotel, The Gramercy International Art Fair has morphed into New […]
March 31st, 2019 | by Marlene Steele | published in *, March 2019
March is nationally celebrated as Women’s History Month. In keeping with its stated mission of eliminating racism and empowering women, the Greater Cincinnati YWCA has mounted an exhibition encompassing the expressive works of nine local women who examine their own attitudes of identity, entitlement and personal experiences of victimization. The exhibiting artists are: Yvonne van […]
March 31st, 2019 | by Ekin Erkan | published in *, March 2019
As a researcher, theorist, and something of a contemporary continental philosophy-bent author in, my interests in new media theory, film studies, and comparative media are necessarily political, often siding with a turn towards “speculative realism,” Quentin Meillassoux’s “correlationism,” or François Laruelle’s “non-standard philosophy” at the expense of affect theory or those “poetics” that salvage media […]
March 31st, 2019 | by Jane Durrell | published in *, March 2019
“Cincinnati is a good city for creating a place for yourself,” Ena Nearon Menefield, who has been here since 1996, says. Her own background, as a woman of color, makes her an experienced judge in such matters. Originally from New York City, the place where she raised her children, and later resident in California, she […]
March 3rd, 2019 | by Jonathan Kamholtz | published in *, Winter 2019
High modernism is well over a century old by now, and its roots are even older. How could that even have happened? The Phillips Collection in Washington D.C. was the first American museum devoted to modern art, opening in 1921, some eight years before MOMA. Though the title of the loan show at the Taft […]
March 3rd, 2019 | by Christopher Carter | published in *, Winter 2019
Award-winning writer and photographer Eric K. Hatch has made his reputation by focusing on landscapes and the built environment. So when an acquaintance who lost a son to an overdose encouraged him to address drug addiction, he at first hesitated, feeling unprepared to take on such a project. Yet after a meditative cross-country trip and […]
March 3rd, 2019 | by Susan Byrnes | published in *, Winter 2019
A pair of curtains adorned with a large set of parentheses hung at the entrance to the exhibit “Proximity of Syllables” at the Weston Gallery make a pronouncement: as you pass through, you are entering a space of meaning made not by what is directly stated, but by what is implied, unsaid, sidelined, redacted, absent, […]
March 3rd, 2019 | by Karen Chambers | published in *, Winter 2019
If there were any question about the importance of the Art Academy of Cincinnati (AAC) or the quality of its teachers and students, the thoughtful “Art Academy of Cincinnati at 150: A Celebration in Drawings and Prints” at the Cincinnati Art Museum (CAM) puts that to rest. The exhibition presents 90 drawings and prints by […]
March 3rd, 2019 | by Ekin Erkan | published in *, Winter 2019
British installation artist Alex Hibbitt’s Rhizome: Falling (2018) has traversed numerous gallery locales throughout the States in the last few years and hangs, suspended and static, in the Weston Gallery’s atrium ceiling. The work – a horizontal web of variegated materiality and form – while weighty, sputters a certain recherché of the ethereal, culling to […]
December 23rd, 2018 | by Jonathan Kamholtz | published in *, December 2018
In Cole Carothers’s “Margin” (2008), we are in Northern Kentucky somewhere—I’m thinking probably Monmouth Street—where the roadway dips down under some train tracks. There is no glamor here, at least not in a conventional sense. Where we are has been zoned for what is called light industry, which typically means that the factories are neither […]
December 23rd, 2018 | by Megan Bickel | published in *, December 2018
According to the Speed Art Museum, Picasso to Pollock: Modern Masterworks from the Eskenazi Museum of Art showcases the impressive early 20th-century art collection owned by the Eskenazi Museum of Art at Indiana University. It covers the breadth of nearly every major artistic movement that occurred between the years 1900 and 1950 in Europe and America. […]
December 23rd, 2018 | by Cynthia Kukla | published in *, December 2018
As a prominent river town, the Queen City has long been a storehouse for culture. Picture Benjamin West’s massive painting Ophelia and Laertes – 109 x 152 1/2 inches – rolled up and secured to a barge coming down the Ohio River to its purchaser, none other than Cincinnati’s Nicholas Longworth. It was the first […]
December 23rd, 2018 | by Laura Hobson | published in *, December 2018
Sharing a table and a meal together can make a community stronger. During a time of unrest nationally and internationally, this is the season to be thankful over a common dinner meeting new people and reaching out to those who are different from us. The Welcome Project reflects this theme in a year-long collaboration. It […]
December 23rd, 2018 | by Daniel Brown | published in *, December 2018
2018 was an odd year for fiction; good and occasionally superior books appeared throughout the year, though it took some sleuthing to find them. Nothing dominates other than an ominous tendency towards overpraising novels that tend towards the politically correct. If you read other lists of best novels of the year, you’ll notice a […]
December 2nd, 2018 | by Susan Byrnes | published in *, November 2018
Nuclear Fallout: The Bomb in Three Archives at Antioch College’s Herndon Gallery investigates historical documentation and mines personal accounts to challenge cavalier attitudes and awaken concern about nuclear war. It does this through highly original re-imaginings of how information itself can be communicated, and how memories of the 1945 atomic bombing of Hiroshima and Nagasaki […]
December 2nd, 2018 | by Christopher Carter | published in *, November 2018
At the outset of the tumultuous 1960s, more than 25,000 Cincinnatians found themselves evicted from their homes by city planners. Those losses came as a result of the Kenyon Barr project, which the planners named after two major streets in the city’s Lower West End, and which promised to revitalize approximately 297 acres of largely […]
December 2nd, 2018 | by Annabel Osberg | published in *, November 2018
“‘I’m living my life out in a cell in a row of beehives and when I wake up and think of it like I did last night it seems to me I’ll just go crazy! …All these flats just exactly like this one—all of ’em with exactly the same maroon in the furniture and rugs, […]
December 2nd, 2018 | by Jonathan Kamholtz | published in *, November 2018
FotoFocus 2018 promised, in its thematic title, to burrow into the archives, and at the CAC, they uncovered something. The roots of its show, “No Two Alike,” go back to an artistic event of mid- to high-Modernism, when, in 1929, a small London gallery belonging to Dorothy Warren brought together the photographs of Karl Blossfeldt […]
December 2nd, 2018 | by Megan Bickel | published in *, November 2018
When I was an undergrad I fumbled into Sharon Butler’s essay “The New Casualists” published in “The Brooklyn Rail”. I found it at a crucial moment in my development as a painter. It was 2011 and I was searching for a reason to keep painting. I had recently discovered the depth and breadth to which […]
October 28th, 2018 | by Annie Dell'Aria | published in *, October 2018
Masks serve multiple metaphorical and social functions in the world. In ancient Rome, wax masks were cast directly from the faces of the dead, preserving the countenance beyond the life of the body. Ritual societies often employ masks spiritually, transforming the wearer into a being from the spirit world as part of a rite of […]
October 28th, 2018 | by Christopher Carter | published in *, October 2018
Tucked into a passageway on the second floor of the Cincinnati Shakespeare Company’s new building, re-Adorned | Catharsis displays the lavish results of collaboration among artistic specialties and diverse media. Photographer Tina Gutierrez and clothing designer Da’Mon R. Butler (a.k.a. NOMAD3176) mix cultures and materials in ways both delicate and flamboyant, bringing her Cuban-Appalachian sensibilities […]
October 28th, 2018 | by Jonathan Kamholtz | published in *, October 2018
Ann Segal hasn’t done an ad for the iPhone camera, but—if it weren’t for her decision a long time ago to walk away from the commercial side of photography—she could. For the last 10 years of a 45 year career of taking photographs, she has exclusively used her iPhone, with remarkable success. In a professional […]
October 28th, 2018 | by Stewart Maxwell | published in *, October 2018
One of America’s most architecturally significant buildings will be reopening in November after a substantial $230 million restoration by GBBN Architects: Cincinnati’s Union Terminal. Completed in 1933 at the height of the Great Depression, this Art Deco palatial masterpiece was dedicated to passenger railroad transportation and travel at a scale in size and exquisiteness, with […]
October 28th, 2018 | by Karen Chambers | published in *, October 2018
In my mind Eugène Atget (1857-1927) and Berenice Abbott (1898-1991) are intrinsically linked, like peanut butter and jelly, or, for the grownups, gin and tonic. So I was surprised when Kevin Moore, FotoFocus artistic director and curator and curator of “Paris to New York: Photographs by Eugène Atget and Berenice Abbott” at the Taft Museum […]
October 8th, 2018 | by Cynthia Kukla | published in *, September 2018
Collecting Calligraphy: Arts of the Islamic World Cincinnati Art Museum September 7, 2018–January 27, 2019 Long before the Middle East came into the political spotlight in recent decades, the Cincinnati Art Museum has been collecting Islamic calligraphy. It has done so since the 1940s. While Islamic calligraphy was originally developed to nourish and enlighten […]
October 8th, 2018 | by Christopher Carter | published in *, September 2018
Chris Engman’s Prospect and Refuge teaches us not to trust our eyes. On display at the Alice F. and Harris K. Weston Art Gallery through November 18, the exhibit unsettles our senses of depth and scale, interior and exterior, origin and reproduction. It ushers us into artificial spaces and then immerses us in the tropes […]
October 8th, 2018 | by Tony Huffman | published in *, September 2018
“…[power is] a multiple and mobile field of force relations where far-reaching, but never completely stable effects of domination are produced.”[1] –Michel Foucault, The History of Sexuality Sedimentations: Assemblage as Social Repair is the most recent exhibition at The 8th Floor, an alternative art space affiliated with the Rubin Foundation and dedicated to expanding artistic […]
October 8th, 2018 | by Jonathan Kamholtz | published in *, September 2018
There is nothing ordinary about Erika NJ Allen’s photographs of downtown Cincinnati. Taken with a pinhole camera set at an exposure of nine days, the city looks as if it has been underwater for a millennium. We are not likely to take the pictures’ minimal suggestions of color for granted. It is unsettling how they […]
October 8th, 2018 | by Joelle Jameson | published in *, September 2018
In high school and college classrooms, Herman Melville’s 1851 novel “Moby-Dick, or, the Whale” is commonly used to illustrate Romantic and Naturalist themes. While it’s because of Keats that I picture Romanticism as a gasping tendon writhing under the holiness of the heart’s affections, my image of Naturalism—an ocean wave indifferently carrying us, screaming, an […]
August 26th, 2018 | by Jonathan Kamholtz | published in *, July/August 2018
Any way you look at it, there was a lot going on in American culture in the 1940s and 1950s. There was a hot war and then a Cold War. American heavy industry had never been more dominant at home and abroad, and union membership was at an all-time high. Car manufacturing and ownership was […]
August 26th, 2018 | by Christopher Carter | published in *, July/August 2018
Gallery exhibits often feature artists at a specific stage of their career, a period marked by consistent subjects or stylistic choices. Some shows take a more contrastive approach, capturing the creative process at distinct moments and inviting audiences to consider the evolution of perspective, tonality, and preferred media. Less common, however, are shows that feature […]
August 26th, 2018 | by Ekin Erkan | published in *, July/August 2018
Over the last year, Thunder-Sky, Inc. has been probing visual culture vis-à-vis consumers, products, and marketing, as this year’s theme has revolved around “Product Placement,” with the gallery presenting exhibitions that frame production and commerce. Certain shows over the last year at this gallery have been right on the mark regarding pop art aesthetics and […]
August 26th, 2018 | by Karen Chambers | published in *, July/August 2018
Usually when the topic of manufacturing in the U.S. comes up, it is as a lament of jobs lost to automation or outsourcing. Two Ohio-based artists beg to differ. In “Work/Surface” at the Alice F. and Harris K. Weston Art Gallery, Matt Lynch and Curtis Goldstein present a suite of 10 scenes of factories operating […]
August 26th, 2018 | by Jonathan Kamholtz | published in *, July/August 2018
One way to see the goal of the Ansel Adams show at the Taft is that it traces the trajectory of Adams’s aesthetic and accomplishments from some of his earliest Pictorialist photos in the 1920s to a climax of sorts with his iconic “Moonrise, Hernandez, New Mexico” (1941). As the show begins, Adams is a […]
July 1st, 2018 | by Annabel Osberg | published in *, June 2018
Los Angeles is home to so many eccentric museums that the city practically has its own ever-growing genre of weird museums with sundry specialized themes ranging from ice cream to death. Among these, one of the oldest and most intriguing is the Museum of Jurassic Technology. Everything about this institution is so otherworldly that it […]
July 1st, 2018 | by Jonathan Kamholtz | published in *, June 2018
It’s an ordinary day in Turtle Creek, Pennsylvania, about a dozen miles from Pittsburgh. Some leaves are turning yellow; there is a touch of fall in the air. The garbage has been collected and the mail has not yet been delivered (the cans are upside down along the edge of the street and the flags […]
July 1st, 2018 | by Ekin Erkan | published in *, June 2018
Minnesota-based multi-media artist Chris Larson’s work “Function is Redundant” is displayed at Cincinnati’s Contemporary Art Center and runs until September 2, 2018. In this large display of single and multi-channel video art installations, sculptures, paintings, and intermedia, Larson’s work incorporates large-scale ethereal photography, drawings and sound to supplement his documented process of structural abrogation. As […]
July 1st, 2018 | by Susan Byrnes | published in *, June 2018
The Riffe Gallery’s “Women to Watch Ohio – 2018” exhibit highlights ten female Ohio artists working in metal. The show was inspired by the selection of four Ohio artists shortlisted for the exhibition “Heavy Metal”, the National Museum of Women in the Arts’ (NMWA) Women to Watch biennial. Reto Thuring, Curator of Contemporary Art at […]
July 1st, 2018 | by Joelle Jameson | published in *, June 2018
The Harvard Art Museums and curator Jennifer Quick have pulled off a minor miracle with “Analog Culture,” an understated, poetic show of heart through a lens of craftsmanship, careful discipline, and the wavering line between producer and artist. It’s rare to find a show that is at once pointedly educational, culturally searing, historically significant, and […]
May 13th, 2018 | by Ekin Erkan | published in *, April/May 2018
Tom Bacher’s Per-40ming Trans-4-ming Phos-4-s-cent Paintings, which is showing at the Weston Art Gallery until June 10, 2018, displays a continuation of Bacher’s hyperrealist quotidian aesthetic re: luminescent paintings that find subjects in object studies, portraiture, and documentation processes. As the two-channel corridor video “Painting with Light” (2018) by YellowHaus Productions elucidates, Bacher’s exhibition […]
May 13th, 2018 | by Annie Dell'Aria | published in *, April/May 2018
Contemporary art has a number of interpretive frameworks, attempts to historicize the present moment that both distinguish it from what came before and draw genealogical lines from established art historical concepts. One branch of this diverse range of concepts is the return to romanticism in what some critics have referred to as New Sincerity, Post-postmodernism, […]
May 13th, 2018 | by Karen Chambers | published in *, April/May 2018
Something odd happened on the front lawn of The Taft Museum of Art. The world-renowned sculptor Patrick Dougherty, with the help of 150 volunteers, twisted and turned six tons of willow-tree saplings into Far Flung,a sprawling sculpture that visitors are encouraged to touch, walk through, or even sit a spell in. In keeping with The […]
May 13th, 2018 | by Jonathan Kamholtz | published in *, April/May 2018
You can be forgiven if you’d never heard of Guido Cagnacci before going to see the tiny but brilliant exhibit of three of his works at the Cincinnati Art Museum. You won’t find him in your Janson, or, for that matter, in many more weighty volumes devoted to Italian painters of the 17th century. […]
May 13th, 2018 | by Christopher Carter | published in *, April/May 2018
Matt and Paul Coors founded the Publico Gallery in Over-the-Rhine in 2003 and ran the operation until it closed in 2008. Ten years later, the Coors brothers are displaying their own works at the Clay Street Press Gallery, just a few steps from their former space. The show highlights the artists’ shared commitment to conceptual […]
March 31st, 2018 | by Karen Chambers | published in *, March 2018
Fashion is a fickle lover, and it jilted Louis Comfort Tiffany at the end of his career in the 1930s. He had been the American exemplar of Art Nouveau, or “new art,” which emerged in Europe in the 1890s after a century of revivals. But “new” eventually grows old, and by 1910 its curvilinear and sinuous lines […]
March 31st, 2018 | by Christopher Carter | published in *, March 2018
From March 2 through April 29, 2018, the Carnegie in Covington, Kentucky is spotlighting an emphatically local meditation on matters of national concern. The museum’s Hutson Gallery features the work of Anissa R. Lewis, Mary Clare Rietz, and a host of citizen-artists from Covington’s Eastside neighborhood, all of them proclaiming the dignity of the community […]
March 31st, 2018 | by Tony Huffman | published in *, March 2018
Perrotin’s opening exhibition in New York for 2018, Hans Hartung: A Constant Storm. Works from 1922 to 1989, featured a retrospective assessment of one of the pioneers of Lyrical Abstraction in Europe, including over 60 major works. This exhibition—which was on view from January 12 until February 18—marked the most extensive presentation of the artist’s […]
March 31st, 2018 | by Bret McCabe | published in *, March 2018
Two of the Stephen Towns’ gorgeous quilt pieces hang in an abbreviated hallway of the Baltimore Museum of Art. Rumination and Reckoning, the Baltimore artist’s debut solo museum show, is an intimate collection of his quilts from a recent, breakthrough body of fabric works, including a few new, unseen pieces. Two of these new works […]
March 31st, 2018 | by Ekin Erkan | published in *, March 2018
The Weston Art Gallery in the Aronoff Center features three works by American installation artist Malcolm Cochran: History Lessons (2011), Requiem (2018), and Washing Feet (1996-97). History Lessons features a looming fixture – a colossal poplar, steel, and polished whitewash stainless steel mirror. The base of the mirrors’ bracket is reminiscent of a sleek vessel, […]
February 19th, 2018 | by Ekin Erkan | published in *, January/February 2018
Traversing the Art Academy of Cincinnati’s galleries via the looming, metallic stairwell, Covergys Gallery is perhaps the easiest to miss between the larger Pearlman and Childlaw Galleries. A sweeping horizontal pocket within a wall, the second floor gallery is at once invitational and necessarily participatory – it simply can not be ignored, as it effectively […]
February 19th, 2018 | by Jonathan Kamholtz | published in *, January/February 2018
One of the least sculptural of the wondrous works at the mid-career retrospective of sculptor Glenn Kaino’s work at the Contemporary Arts Center is a two-dimensional graphic that looks like an ancient map that has been housed in an archive with a leaky roof. Shapes and outlines are beautiful but discontinuous; areas that might represent […]
February 19th, 2018 | by Daniel Brown | published in *, January/February 2018
Cincinnati Art Galleries has managed to represent the estate of the late modernist painter Jens Jensen, and an exhibition of this artist’s work is currently on view at Cincinnati Art Galleries downtown. It’s difficult to describe the delight and joy at looking at an excellent modernist in today’s highly politicized and digitalized postmodern world: Jensen’s […]
February 19th, 2018 | by Ekin Erkan | published in *, January/February 2018
Planned prior to Trump’s presidency, the 21C Museum Hotel’s The Future is Female displays a myriad of international female artists – ranging in their modalities and sociopolitical concerns – whose works bridge third and fourth-wave feminist concerns. Built on the foreground of second-wave feminism’s civil rights advances, the third-wave occupies subjectivity and inclusive diversity, […]
February 19th, 2018 | by Jane Durrell | published in *, January/February 2018
“I like artists and scientists,” Linda Schwartz told me. We were seated at the dining table in her art-filled house, with tea and a barely touched plate of cookies, talking about her career in art. The other two occupants of the house, a pair of small but stocky, very vocal black dogs, had been shushed […]
