The Weston Art Gallery’s Beacon exhibition elicits a range of meanings from its title. Beacons in the show are by turns literal and symbolic, concrete and conceptual. Gallery notes invite us to watch for “luminary individuals, institutions, and ideologies” while remembering the sense of beacon as “a kind of warning.” Bringing together ten lens-based artists […]

When we encounter a portrait of the artist in her studio, a readymade that calls into question its own selection and display, or a time-lapse series that documents change in specific structures and locations, we receive an invitation to reflect on processes of artistic invention and performance. In most any exhibition, we can find works […]

The High Renaissance portrait sought to depict dignity—the sense of worthiness that was, typically, an even more valuable quality in a portrait than likeness—in repose. The great 16th century portraits tried to capture what was least changing about their subjects. Though the period knew, of course, that human beings were subject to time, they assumed […]

Damn. I should take drugs when I paint.  Look at French painter Gustav Moreau. He must have taken something to make these mind-bending paintings in the 1800’s. I know contemporary painter Peter Doig takes drugs because he admitted so, figures; his paintings are breathtakingly hypnotic, mystical, irrationally emotional and compelling.  But Moreau?  He’s dead. We […]

During this time of quarantine, it’s enjoyable to get lost in The Kitchen Garden on the Eyot (1946) by Leonora Carrington (1917-2011). Delicately limned in egg tempera on a small panel, the scene is easy to enter online, and its cryptic serenity casts a rosy glow over one’s feelings of confinement. A sense of mystery […]

It is a major coup that the Cincinnati Art Museum is showcasing the work of the renowned African-American artist Romare Bearden who launched his career during the height of the early twentieth-century’s Harlem Renaissance in New York. The exhibition “Something Over Something Else”: Romare Bearden’s Profile Series gives Cincinnatians a visual treat this spring and […]

From soup to nuts.  Ever wonder how a piece of art makes it to the gallery floor?  Here’s an inside look at the Cincinnati Arts Association’s Alice F. and Harris K. Weston Art Gallery and the Cincinnati Art Museum and how that happens. Weston Art Gallery shows an eclectic mix of emerging and professional artists […]

I was looking forward to reviewing the N. C. Wyeth show at the Taft, and was planning on seeing it on a Sunday with my wife. We’d see the show, have brunch, check out the gift shop. On Friday the 13th—I know, right?—I went online to check out the museum’s hours—is it that they open […]

When I first came to Cincinnati, I was told that I-75 had been designed by someone who had heard of an interstate highway but never actually seen one. At times, it feels like it was little more than a good guess on the builders’ part. I-75 sprouts red barrels as empty fields sprout crabgrass, and […]

Revolutionary: Being American Today advances a poignant, collaborative statement about the contradictions of contemporary U.S. citizenship. At once historically dense and urgently contemporary, it draws together works by John Brooks, Kiah Celeste, Amanda Curreri, Stephanie Cuyubamba Kong, Brianna Harlan, Anissa Lewis, Melissa Vandenberg, and Renzo Velez. Curator Jessica Oberdick assembles those works in ways that […]

“The city has room for three different art centers,” said Elise Solomon, director of learning and engagement at the Taft Museum of Art.  Shawnee Turner, Elizabeth Hardin-Klink and Emily Holtrop, her counterparts at the Contemporary Arts Center (CAM) and the Cincinnati Art Museum (CAM) respectively would agree.  Often under the radar, they all actively develop […]

Sohrab Hura is a young Indian photographer (b. 1981) who in 2016 came to the cities, towns, and countryside that stretch along the Mississippi River from Cairo, Illinois, down to the Gulf of Mexico, looking to understand a section of the United States that was profoundly unfamiliar to him. Along the way, he wanted to […]

In Birgit Jensen’s Flugblätter (Flying Letters), nothing settles comfortably into place. The purportedly autonomous artist ruptures into the collective. The collective expands and contracts like a breathing organism, dismissing its own consistency with Whitmanesque abandon. The radically distributed artist takes transformation as its topic, working paradoxically to make temporal processes concrete, all while inhabiting the […]

“Look at how a single candle can both defy and define the darkness.” A single sentence from Anne Frank encapsulates Manifest Gallery’s “DARK: Shadows, Nightscapes, and Darkness” exhibition. From a pool of’ 359 works by 103 artists representing five countries, 30 states, and the District of Columbia, the blind jury selected 17 pieces by 15 […]

This is a big show with a big story to tell, one that both celebrates and critically examines what it means to be Hispanic. The show focuses on, but is not limited to, European Spain, which it follows through many of its incarnations: an ancient civilization, a Roman outpost, a Christian outpost, a center of […]